George Herzog

George Herzog (October 19, 1851, Munich, Germany – September 16, 1920, New York City) was an American interior designer and decorative painter, best known for his work on Philadelphia Masonic Temple.

Contents 1 Career 2 Selected projects 2.1 Philadelphia 2.2 Elsewhere 3 References

Career

The son of the German painter Hermann Ottomar Herzog (1832-1932), he trained under Joseph Schwarzmann, and at Munich's Royal Academy of Arts. His family immigrated to the United States in the early 1870s, and he joined the Philadelphia firm of decorators Konstantine & Otto Kaiser. His work received prizes at the 1876 Centennial Exposition for upholstery design and fresco painting, and in 1879 he assumed management of the firm.^[1]

It specialized in ceiling and wall decoration, and sometimes oil portraiture. At the Albert H. Disston house, the goddesses playing musical instruments on the music room ceiling may be portraits of the client's relatives. The diningroom of industrialist Peter A. B. Widener's house included wall murals of his children dressed in Renaissance garb.^[2] The firm's ornate interiors often combined stencilled geometric patterns with painted floral and classical-inspired scenes:

Herzog's interiors–commonly consisting of wall as well as ceiling treatments–mixed meticulous German training with late-Victorian American tastes. Their closest analog is the oeurvre of the Herter Brothers, European-trained partners who designed interiors for New York's elite. Like the Herter Brothers, Herzog frequently exercised control over the entire interior design process, including walls, ceilings, furniture, draperies and glass.^[3]

He decorated major rooms at Philadelphia City Hall, including the Mayor's Reception Room, the Supreme Court Room, the Judges' Consultation Room and the Law Library. He was a member of the Philadelphia Masonic Temple and the Union League of Philadelphia, and completed multiple commissions for each. He decorated the city and country houses of industrialists, churches, and Keneseth Israel, the largest synagogue in Philadelphia. He did work at Shelby County Courthouse in Memphis, Tennessee. He opened an office in New York City, and decorated interiors there and on Long Island, including the Harmonie Club with McKim, Mead & White.

Louis Comfort Tiffany had formed Associated Artists in 1879, joining together various artisans to create a comprehensive (if short-lived) design company. Perhaps in imitation, Herzog (decorative painting and textiles), Charles F. Vollmer (furniture and cabinetry), Alfred Godwin (stained glass), J. E. McClees (art and imported goods), and Sharpless & Watt (decorative tiles and metalwork) joined in 1893, to form Associated Art Workers. They opened a showcase house at 1518 Chestnut Street in Philadelphia, but the company appears to have disbanded by 1895.^[4]

Most of Herzog's work does not survive, it was demolished, destroyed or painted over. His most-intact interiors are at the Philadelphia Masonic Temple, where he designed roughly 80% of the decorative painting.^[5] Collections of his watercolor renderings are at the Athenaeum of Philadelphia, Philadelphia Masonic Temple, and the Carnegie Museum of Art in Pittsburgh, Pennsylvania.

Selected projects

Philadelphia

• Albert H. Disston house, 1530 North 16th Street, Philadelphia, Edwin Forrest Durang, architect (1881-82).
• Saint James Roman Catholic Church, 38th & Chestnut Streets, Philadelphia, Edwin Forrest Durang, architect (1881-87).^[6] Now St. Agatha–St. James Roman Catholic Church.
• Union League of Philadelphia, 140 South Broad Street, John Fraser, architect. Library ceiling, restaurant ceiling, banquet room, other work (1881-89).
• Reuben O. Moon house, 1516 North 16th Street, Philadelphia (1884).^[7]
• Peter A. B. Widener house, Broad Street & Girard Avenue, Philadelphia, Willis G. Hale, architect (1887, demolished 1980).^[8]
• Young Maennerchor Society Hall, 6th & Vine Streets, Philadelphia, Paul Bonner, architect (1889, demolished).
• Philadelphia City Hall, John McArthur, Jr., architect. Mayor's Reception Room ceiling, Supreme Court Room, Judges' Consultation Room, Law Library, other work (1889-91).^[9]
• Philadelphia Masonic Temple, Broad Street, Philadelphia, James H. Windrim, architect. Egyptian Hall, Ionic Hall, Norman Hall, Renaissance Hall, Corinthian Hall, Library and Museum, other work (1889-1903).
• William Kemble house (Kemble-Bergdoll mansion), 2201-05 Green Street, Philadelphia, James H. Windrim, architect (1890).^[10][11]
• William Lukens Elkins house, 1218 North Broad Street, Philadelphia, William Powell, architect (1890, demolished).
• Keneseth Israel Temple, 1717 North Broad Street, Philadelphia, Oscar Frotscher & Louis Caron Hickman, architects (1891-92, demolished).^[12]
• Bank of North America, 305-07 Chestnut Street, Philadelphia, James H. & John T. Windrim, architects (1893-95, demolished 1972).
• Girard College, Philadelphia, unidentified commission (pre-1901).

Elsewhere

• Liederkranz Society, 111-19 East 58th Street, New York City, Hermann Schwarzmann, architect (1886, demolished 1964).^[13]
• "Beaumont" (William L. Austin mansion), 601 Ithan Avenue, Bryn Mawr, Pennsylvania, Baily & Truscott, architects (1901).^[14] Now Beaumont at Bryn Mawr retirement community.
• Shelby County Courthouse, Adams Avenue, Memphis, Tennessee, James Gamble Rogers, architect (1905-10).
• Harmonie Club, 4 East 60th Street, New York City, McKim, Mead & White, architects (1906).

References

• 1891 Profile of George Herzog in Philadelphia and Popular Philadelphians
• Mark C. Luellen, The Decorative Work of George Herzog, 1851-1920, masters thesis, University of Pennsylvania, 1992.[1]
• Laura L. Libert, curator, Philadelphia Masonic Temple, "George Herzog, 1851-1920," Treasures of the Temple